Josquin Desprez
1455 – 1521
49 works
Josquin Lebloitte dit des Prez was a composer of Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors like Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
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Chansons
33- Cueurs desolez par toutes nations, NJE 28.8
- Incessamment livré suis an martyre, NJE 29.8
- Petite camusette, NJE 30.7
- Mille regretz, NJE 28.25
- Nymphes des bois / Requiem “Le Deploration de Jehan Okenheim.”, NJE 29.181497
- Parfons regretz, NJE 29.19
- N'est-ce pas un grand desplaisir, NJE 29.17
- En non saichant, NJE 29.6
- Pour souhaitter, NJE 30.8
- Je me complains, NJE 29.10
- Se congie prens, NJE 30.10
- Tenez moy en voz bras, NJE 30.12
- Allégez moy, NJE 30.2
- Faulte d'argent, NJE 29.7
- Vous l'arez, NJE 30.13
- Douleur me bat, NJE 29.4
- Ma bouche rit, NJE 29.14
- Basies moy, NJE 30.3
- Baisiez moy, NJE 28.4
- Cent mille regretz
- L'amye a tous, NJE 29.13
- Du mien amant, NJE 29.5
- Nimphes, nappées / Circumdederunt me
- Je ne me puis tenir d'aimer, NJE 29.11
- Plus n'estes ma maistresse
- Plus nulz regretz, NJE 28.281507
- Cueurs desolez par toute nation
- Incessament mon povre cueur lamente, NJE 29.9
- J'ai bien cause de lamenter, NJE 30.5
- Mi lares vous tousjours languir, NJE 29.16
- Adieu mes amours, NJE 28.3
- Quant je vous voye, NJE 27.32
- La belle se siet